Serial Irani Zakhme Kari Part 10 – سریال زخم کاری قسمت 10 دهم




    Serial Irani Zakhme Kari Part 10 series is directed by Mohammad Hossein Mahdavian and produced by MMohammad Reza Takht Keshian in 1400.This series is a product of Iran and is in the family and social genre.Mohammad Hossein Mahdavian, who has a history of making several acclaimed documentaries and movies, has experienced serialization this time.

    Zakhm Kari is a social series based on the novel Twenty Wounds written by Mahmoud Hosseinizad with a story full of ups and downs and inflamed, which is the first experience of serializing Mohammad Hossein Mahdavian, the famous director of popular works such as Standing in the Dust, The Midday Story and Lottery on the Home Show Network.This series can be downloaded every Friday at 8 am from the site of Zakhm Kari series.

    The first episode of Zakhm Kari series was released on Friday, June 31, and from the many positive feedbacks on social media, as well as the 96% audience satisfaction statistics on the Filimo platform, it appears that Mohammad Hossein Mahdavian’s latest work has had a good start, so that even some episodes The first of this series is considered to be one of the best beginnings among the serials of Iran’s home theater network.

    Zakhm Kari series, which was made with Filimo’s investment, although it was produced in complete silence, had a sensational start and has already attracted a lot of attention.

    Zakhm Kari series is one of the most played series on the home theater network that can break the record of previous series. In this series, actors such as Javad Ezati , Rana Azadivar , Hanieh Tavassoli and Elahe Hesari play roles.

    Many young and veteran actors have played roles in the series Zakhm Kari Work, including: , Saeed Changizian, Abbas Jamshidifar, Mehdi Zamin Pardaz, Siavash Tahmours, Mahlagha Bagheri, Maedeh Tahmasebi , Kazem Hajirazad, Seyed Javad Hashemi and Akram Mohammadi.

    Serial Irani Zakhme Kari Part 10

    On the other hand, the content of the serial wound has been discussed in many circles these days. This well-made series, which is accompanied by Javad Ezzati’s brilliant play, is devoid of problems such as excessive smoking, using inappropriate words, and throwing out unusual pieces, and it cannot be ignored.

    But it remains to be seen whether all the criticism of the Mohammad Hossein Mahdavian series is directed at Satra or not. Many of the criticisms leveled at the work wound seem to be related to the script of the series and at the time of its production, in which Satra had no role, and this institution is ready for approval after the applicable corrections to the “produced series” It is the publisher of the content, not the licensor of the production, which means that Satra has limited authority over corrections during the broadcast, and this is the first step in restricting Satra from enforcing the law.

    These flaws have led to a flurry of criticism of Satra, which it says has eliminated such scenes as much as possible, and if anything remains, its removal has prevented the story from forming and progressing.